A not-as-trippy-as-you-may-have-thought show of three girls creating an anime. Good anime series require a lot of work, lots and lots of daydreaming / fantasizing and a bucket-load of care and love…
DISCLAIMER: May contain spoilers ahead. May also contain eggs, milk, soy, nuts and the tears of your enemies.
The Opening Theme. A musical frenzy. “Easy Breezy” by chelmico
An hors d’oeuvre featuring rap-style vocals, a guitar riff resembling the wild-wild west, a catchy as hell chorus, a soft-core bluegrassy hint and some kick-ass kick samples. Yes, the opening theme is a mixture of a gazillion characteristics handpicked from different decades and genres. The impression I’m left with is that it’s joyful and a bit childlike. Yeah, yeah, hold your horses… Childlike as in it made me think of my usual weekends ~20 years ago, when I was little and was spending my free time watching anime on the living room TV. So, all these influences and characteristics of the opening theme come together because of the vocals on the lower contralto register. The sound fits so well with the story and art of the anime. In my book, it’s one of the unskippable OPs.
OST first impressions. by OORUTAICHI
The scope from which the soundtrack was written and utilized is quite straightforward. The plot of this anime is the anime-making process itself. The art shows that. The music shows that. And so does the selection of the sound effects. The approach of every single aspect of this anime is the step by step construction -and deconstruction- of the anime production. The soundtrack was used almost as if it were temp tracks. To elaborate a bit. The use of rawer and rougher electronic sounds was chosen over more elegant and refined ones. Although the basis of the OST was built on rounder -almost muted at times- sounds, the predominant instruments had a certain spark, almost like an acidic quality to them. But what I enjoyed the most was the sound effects that actually were onomatopoetic mouth sounds. Basically, the actresses were saying made-up words that simulated sounds and used these recordings as the sound effects of their own made-up world. And that’s exactly what made it so vibrant. It was what made our heroines’ fantasy-world come to life. And the cherry on top? Those onomatopoetic SFX were mixed and used just like the ‘normal’ ones would. Music and sound are what bring motion pictures to life. And in this case, they both shone brightly.
A gentle Ending Theme that packs a punch. “Namae no Nai Ao” by Kami-sama, I have noticed
Another blend of music styles. If you wonder what would happen if someone combined a guitar riff inspired from power metal, high and breathy J-Pop vocals, the usual rock accompaniment and a song development that includes a number of progressive rock elements… Look no further. The answer is this ending. That’s the amount of ‘unexpected’ edge and familiarity a new song needs to rise in popularity. Truth is that about half-way in, the melodic line of the vocals has a few peaks mid-phrase that heavily resemble the sound of MYTH&ROID. Another unskippable tie-up.
TL;DR (It’s Eizouken. It’s gonna be a thing.)
- Both tie-ups raise the quality of the anime and vice versa.
- Both OP and ED feature a number of elements from different genres.
- The OST has been composed in a way to appear rougher around the edges and is in sync with the animation.
- The use and mixing of the mouth SFX were really thought out and gave a nice artistic, yet realistic touch.